AlbumUltra
Track 4360/188Screwed Up
Paul Dinletir (ASCAP) | Gonzalo Perez (BMI) | Daniel Tauber (ASCAP) From the album UltraRinging bell gives way to thumping synth bass and percussive scribbling, clicking, and scratching until a host of synth layers and woo vocalizations burst in, injecting energy and driving forward in a haze of jagged neon beats that swell and cut.
Cue Sheet Info
Artists & ComposersPaul DinletirASCAP: 00345433471, 50%Gonzalo PerezBMI: 00381130589, 25%Daniel TauberASCAP: 00857684088, 25%
PublishersNaomiville MusicASCAP: 00496384600, 75%Trailer Machine MusicBMI: 00485167426, 25%
ISWCT3053659879
ISRCQM-JGX-20-02991
Label Code29653
Label Code29653
Release Year2024
Musical Features
KeyEm
Tempo112 BPM
Tempo notesMedium
One main track with multiple mixes. Download all 12 mixes of this track.
Screwed Up4360/188Ringing bell gives way to thumping synth bass and percussive scribbling, clicking, and scratching until a host of synth layers and woo vocalizations burst in, injecting energy and driving forward in a haze of jagged neon beats that swell and cut.1:11112 BPM- Screwed Up (No Vocals)4360/189Ringing bell gives way to thumping bass and percussive scribbling, clicking, and scratching with synths, injecting energy and driving forward in a haze of jagged neon rhythm that swells and cuts.1:09112 BPM
- Screwed Up (Rhythmic)4360/190Ringing bell gives way to thumping bass and percussive scribbling, clicking, and scratching until woo vocalizations burst in, injecting energy and driving forward in a rising rhythmic haze that swells and cuts.1:09112 BPM
- Screwed Up (Rhythmic, No Vocals)4360/191Ringing bell gives way to thumping bass and percussive scribbling, clicking, and scratching until an injection of energy charges forward in a rising haze that swells and cuts.1:09112 BPM
- Screwed Up (60)4360/192Ringing bell gives way to thumping bass and various percussive sounds of scribbling, clicking, and scratching until vocalizations burst in with synths, injecting energy and driving forward in a haze of jagged neon that swells and cuts.1:00112 BPM
- Screwed Up (60 No Vocals)4360/193Ringing bell gives way to thumping bass and various percussive sounds of scribbling, clicking, and scratching until the synths inject energy and drive forward in a haze of jagged neon that swells and cuts.1:00112 BPM
- Screwed Up (60 No Synth)4360/194Ringing bell gives way to thumping bass and various percussive sounds of scribbling, clicking, and scratching until vocalizations burst in, injecting energy and driving forward in a haze of jagged neon that swells and cuts.1:00112 BPM
- Screwed Up (60 No Synth, No Vocals)4360/195Ringing bell gives way to thumping bass and various percussive sounds of scribbling, clicking, and scratching that inject energy and drive forward in a haze of jagged neon that swells and cuts.1:00112 BPM
- Screwed Up (30)4360/196A host of synth and vocalizations burst in, injecting energy and driving forward with a ringing bell, thumping bass, and various percussive sounds of scribbling, clicking, and scratching in a jagged neon cacophony.0:30112 BPM
- Screwed Up (30 No Vocals)4360/197A host of synth injects energy and drives forward with a ringing bell, thumping bass, and various percussive sounds of scribbling, clicking, and scratching in a jagged neon cacophony.0:30112 BPM
- Screwed Up (30 No Synth)4360/198Ringing bell, thumping bass, echoing vocalizations, and various percussive sounds of scribbling, clicking, and scratching in a jagged neon cacophony.0:30112 BPM
- Screwed Up (30 No Synth, No Vocals)4360/199Ringing bell, thumping bass, and various percussive sounds of scribbling, clicking, and scratching in a jagged neon cacophony.0:30112 BPM